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><channel><title>Improvisations by Henri van Zanten&#187; Sketch | Improvisations tagged Sketch by HvZ</title> <atom:link href="http://www.henrivanzanten.com/tag/sketch/feed/" rel="self" type="application/rss+xml" /><link>http://www.henrivanzanten.com</link> <description>Spontaneous Improvisations of an Omniartist</description> <lastBuildDate>Sun, 24 Jan 2010 05:36:13 +0000</lastBuildDate> <generator>http://wordpress.org/?v=2.8.6</generator> <language>en</language> <sy:updatePeriod>hourly</sy:updatePeriod> <sy:updateFrequency>1</sy:updateFrequency> <item><title>Curriculum Vitae &#8211; Henri Carel van Zanten</title><link>http://www.henrivanzanten.com/curriculum-vitae-henri-carel-van-zanten-18031957/</link> <comments>http://www.henrivanzanten.com/curriculum-vitae-henri-carel-van-zanten-18031957/#comments</comments> <pubDate>Tue, 30 Oct 2007 23:26:12 +0000</pubDate> <dc:creator>henri</dc:creator> <category><![CDATA[Journal]]></category> <category><![CDATA[AlienatedAnimations]]></category> <category><![CDATA[Amsterdam]]></category> <category><![CDATA[antiscene]]></category> <category><![CDATA[Art]]></category> <category><![CDATA[Arts]]></category> <category><![CDATA[Baila Louca]]></category> <category><![CDATA[bomb]]></category> <category><![CDATA[Boszoom]]></category> <category><![CDATA[collaborations]]></category> <category><![CDATA[comedy]]></category> <category><![CDATA[curriculum vitae]]></category> <category><![CDATA[CV]]></category> <category><![CDATA[Depression Promotion Centre]]></category> <category><![CDATA[Depression Promotion Centre 2]]></category> <category><![CDATA[Dordtsalon]]></category> <category><![CDATA[DPC]]></category> <category><![CDATA[drama]]></category> <category><![CDATA[exit]]></category> <category><![CDATA[Experimental]]></category> <category><![CDATA[Extreme]]></category> <category><![CDATA[Film]]></category> <category><![CDATA[frauduleus]]></category> <category><![CDATA[free jazz]]></category> <category><![CDATA[Fuck The Writer]]></category> <category><![CDATA[God Knows The Absence]]></category> <category><![CDATA[guitar]]></category> <category><![CDATA[Hamlet]]></category> <category><![CDATA[hamlet machine]]></category> <category><![CDATA[Heiner MÃ¼ller]]></category> <category><![CDATA[Henri van Zanten]]></category> <category><![CDATA[Hugo Lammerink]]></category> <category><![CDATA[improv]]></category> <category><![CDATA[Improvisation]]></category> <category><![CDATA[installations]]></category> <category><![CDATA[Jazz]]></category> <category><![CDATA[Jena]]></category> <category><![CDATA[Lucid Terror]]></category> <category><![CDATA[Machine]]></category> <category><![CDATA[MC Wisecrack]]></category> <category><![CDATA[music]]></category> <category><![CDATA[Nighttown]]></category> <category><![CDATA[omniartist]]></category> <category><![CDATA[Pameijer]]></category> <category><![CDATA[Passive Art Society]]></category> <category><![CDATA[Pauluskerk]]></category> <category><![CDATA[performance]]></category> <category><![CDATA[photography]]></category> <category><![CDATA[phototheatre]]></category> <category><![CDATA[Piet Eelvelt]]></category> <category><![CDATA[poetry]]></category> <category><![CDATA[pretty evil]]></category> <category><![CDATA[Prof. Sidhy Idiopath]]></category> <category><![CDATA[Rap]]></category> <category><![CDATA[Rap Royal]]></category> <category><![CDATA[rapper]]></category> <category><![CDATA[Rita Vilhena]]></category> <category><![CDATA[Rotterdam]]></category> <category><![CDATA[Ruth Moreno]]></category> <category><![CDATA[Sketch]]></category> <category><![CDATA[song]]></category> <category><![CDATA[stigmadome]]></category> <category><![CDATA[Stressdesigner]]></category> <category><![CDATA[suerealism]]></category> <category><![CDATA[Support Act Hamlet]]></category> <category><![CDATA[theater]]></category> <category><![CDATA[theatre]]></category> <category><![CDATA[Theatrical Research]]></category> <category><![CDATA[van Zanten]]></category> <category><![CDATA[Video]]></category> <category><![CDATA[Virginia Woolf]]></category> <category><![CDATA[Visual Arts]]></category> <category><![CDATA[Vocal]]></category> <category><![CDATA[Wim van Egmond]]></category> <category><![CDATA[Wink van Kempen]]></category> <category><![CDATA[Yens & Yens]]></category> <category><![CDATA[YouTube]]></category> <category><![CDATA[Zegiswat]]></category> <category><![CDATA[Ziegenmalte]]></category> <category><![CDATA[Zobel]]></category><guid isPermaLink="false">http://www.henrivanzanten.com/curriculum-vitae-henri-carel-van-zanten-18031957/</guid> <description><![CDATA[
Curriculum Vitae &#8211; Henri Carel van ZantenOmniartist born in Rotterdam the Netherlands on 18-03-19571964-1965 lived in Canada1967-1970 lived in South Africa1970-76 went through high school &#8211; Libanon Lyceum in Rotterdam (with latin and greek) wrote his first poems ..Related posts:<ol><li><a href='http://www.henrivanzanten.com/van-zanten-voor-beginners/' rel='bookmark' title='Permanent Link: Van Zanten voor beginners &#8211; CV in Nederlands'>Van Zanten voor beginners &#8211; CV in Nederlands</a></li><li><a href='http://www.henrivanzanten.com/music-will-save-the-world/' rel='bookmark' title='Permanent Link: Music Will Save The World'>Music Will Save The World</a></li><li><a href='http://www.henrivanzanten.com/no-life-without-theatre-no-theatre-without-life/' rel='bookmark' title='Permanent Link: No life without theatre, no theatre without life!'>No life without theatre, no theatre without life!</a></li></ol>]]></description> <content:encoded><![CDATA[<p><strong>Curriculum Vitae &#8211; Henri Carel van Zanten</strong></p><p><sub><strong>Omniartist </strong>born in Rotterdam the Netherlands on <strong>18-03-1957</strong></sub></p><p><sub><strong>1</strong><strong><em>964-1965 <span style="font-style: normal; font-weight: normal;">lived in <strong>Canada</strong></span></em></strong></sub></p><p><sub><strong>1967-1970</strong> </sub><sub>lived in <strong>South Africa</strong></sub></p><p><sub><strong>1970-76 <span style="font-weight: normal;">went through high school &#8211; <strong>Libanon Lyceum </strong>in Rotterdam (with latin and greek) wrote his <strong><em>first poems</em> </strong>and took <strong><em>violin lessons</em></strong> with Tom de Vree</span></strong></sub></p><p><sub><strong>1976-79 <span style="font-weight: normal;">studied <strong>Slavic languages</strong> at the <strong>University Leiden</strong> with prof. Karel van het Reve</span></strong></sub></p><p><sub><strong>1979-83 <span style="font-weight: normal;">wrote a few plays in the tradition of <strong>the theatre of the absurd </strong>created his first<strong> <em>ready mades</em></strong> (3d poems as he calls them) started taking lessons on <strong><em>alto saxofone</em></strong> with Ben Vrauwdeunt</span></strong></sub></p><p><sub><strong>1982-83</strong> trained privately by Piet Eelvelt in the<strong> Stanislavsky <em>technique</em></strong></sub></p><p><sub><strong>1983</strong> initiated the <strong>Weltschmerz &amp; Kopfschmerz <em>foundation </em></strong>a non-profit organisation for activities in many forms of art</sub></p><p><sub>staged his first version of the <strong>Hamletmachine</strong> (solo) by <strong><em>Heiner MÃ¼ller </em></strong>the East German dissident</sub></p><p><sub>founded together with Erik-Ward Geerlings <strong>Krochttheater</strong> which proved to be so experimental that it became infamous</sub></p><p><sub>staged his <strong><em>first play</em></strong> <strong>The Collectors</strong> (De Verzamelaars) in Picollo Theater Rotterdam</sub></p><p><sub>created in collaboration with E.W. Geerlings a buddhist <strong><em>performance</em> A Spoiled Evening </strong>(Een verziekte avond) which was also executed at Stalker in Bruxelles</sub></p><p><sub>co-founder of the <strong><em>improvisation band</em></strong> <strong>Dustbin Silence </strong></sub><sub>that gave 20 concerts in 3 years in the Netherlands and Belgium</sub></p><p><sub><strong>1985 <em>first exhibition</em></strong> of his <strong>3d poems</strong> (readymades) in Galerie Mesï¿½in Groningen</sub></p><p><sub>organizedï¿½<strong>October</strong> a <strong><em>manifestation</em> </strong>of<strong> <em>Non-Neat Art</em></strong> with a group exhibition and theatre (Mï¿½ller and Majakofski) inï¿½Galerie Alles voor 12 en 24 volt<strong> </strong>in Rotterdam</sub></p><p><sub><strong>1984-86</strong> singer of the <strong><em>popgroup</em> God Knows the Absence </strong>that gave it&#8217;s last concert in <strong>Museum Boymans van Beuningen</strong> in Rotterdam</sub></p><p><sub><strong>1986-87</strong> <strong><em>classical singing training</em></strong> at the <strong>Rotterdam Conservatory</strong></sub></p><p><sub><strong>1986</strong> organized (commissioned by the Rotterdam Art Foundation) for the <strong><em>opening of</em> Cafe De Unie</strong> a project called <strong>Amphibitheatre </strong></sub><sub>consisting of theatre, installations and performance in 5 containers</sub></p><p><sub>took part in Wink van Kempen&#8217;s <strong>Perfo 4D</strong> festival with his <strong><em>performance</em> Recital</strong></sub></p><p><sub>presented his <strong>4th</strong> version of the <strong>Hamletmachine</strong> by <strong><em>Heiner MÃ¼ller</em></strong> </sub><sub>with video fragments of the first 3 versions</sub></p><p><sub><strong>1987</strong> staged in collaboration with <strong><em>Jan Decorte</em></strong> (who made the adaption) <strong>A Massacre at Paris</strong> by <strong><em>Christopher Marlowe</em></strong> (title: In the meanwhile in Paris) the other actors were Nico Okkerse en Erik-Ward Geerlings</sub></p><p><sub>created the first 3 <strong><em>theatre-clips</em></strong> of the series Kort &amp; Goed (<strong>Short &amp; Good</strong>) with whichï¿½<strong><em>Krochttheater</em></strong> became famous<br /> <strong>Hamlet</strong> <em>(Shakespeare)</em>,ï¿½<strong>Who&#8217;s afraid of Virginia Woolf </strong><em>(Edward Albee),</em> <strong>The Blue Bird </strong><em>(Maeterlinck)</em></sub></p><p><sub>started his training in <strong><em>North Indian classical singing</em></strong> with <strong>Ustad Mohammad Sayeed Khan</strong></sub></p><p><sub>founded <strong>Gallery Paradise Regained </strong></sub><sub>a work and exhibition space in Historical Delfshaven in Rotterdam</sub></p><p><sub><strong>1988</strong> collaborated in demolishingï¿½<strong><em>Krochttheater</em></strong> and founded his own independant organisation <strong>Nobody&#8217;s Business</strong></sub></p><p><sub>created in collaboration with the dancer Lucie Moormann <strong>Estafette/Enigma </strong></sub><sub>a <strong><em>movement theatre</em></strong> piece with a group of youngsters in Lantaren/Venster Rotterdam</sub></p><p><sub>staged 3 versions of <strong>The Sailor</strong> by <strong><em>Fernando Pessoa </em></strong></sub><sub>in Galerie Paradise Regained (Dutch premiere)</sub></p><p><sub><strong>1989</strong> acted in the play <strong>Comptons &amp; Burnetts</strong> byï¿½<strong><em>Bonheur </em></strong>in Rotterdam</sub></p><p><sub>madeï¿½<strong>It Goes Without Saying</strong> in collaboration with choreographer <em><strong>Wybo Platenkamp</strong></em></sub></p><p><sub>performed theï¿½ <strong><em>solo performance</em></strong> <strong>Lot</strong> <strong><em>or On falling down while addressing people </em></strong>in Shaffy Theater in Amsterdam</sub></p><p><sub>performed in the <strong><em>movement theatre</em></strong> piece <strong>Cuore di Cane</strong> of <strong><em>Gustavo Frigerio </em></strong></sub></p><p><sub>gave a <em><strong>theatrical lecture</strong></em> on <strong>F.X.Messerschmidt </strong>the<strong> </strong>first artist to take himself as (expressive) subject f</sub><sub>or his sculptures that were later onï¿½ï¿½calledï¿½ï¿½<strong><em>Charakterkï¿½pfe </em></strong>and<strong><em> </em></strong></sub><sub>exhibited drawings of Charakterkopfe in the Rotterdamse Schouwburg</sub></p><p><sub>exhibits &#8216;lightdrawings&#8217; and setsketches for an inoperable project A HOLE IN THE WATER<br /> (inspired by Shakespeare&#8217;s The Tempest) which he presents in FRAU HOLLE in Amsterdam</sub></p><p><sub><strong>1990 </strong>directs ALEX D&#8217;ELECTRIQUE in DRAMOLETTE by Thomas Bernhard</sub></p><p><sub>commits the first outdoor CAT-Acts (Contemporary Art Terrorism Acts)<br /> with his operated flags on the DAM square, Amsterdam and the South African Embassy</sub></p><p><sub>exhibits OPERATED FLAGS in GALERIE PARADISE REGAINED and DE BALIE, Amsterdam<br /> opens with the operation of the USA flag with 50 gunshots, bandages and filmblood</sub></p><p><sub><strong>1991</strong> publication of THEATRICAL RESEARCH since 1984<br /> a review of 10 years work in the theatre and visual arts<br /> on the occasion of the VAN ZANTEN WEEK in the Rotterdams Schouwburg</sub></p><p><sub>gives an interactive lecture on live and work of the philospher OTTO WEININGER<br /> with the title GENDER OR CHARACTER premiere GRAND THEATRE in Groningen</sub></p><p><sub>distributes his first freecards and stickers as autonomous art</sub></p><p><sub>FIRST BLINDMAN&#8217;S STICK TRAVEL (Ireland) and exhibition of it in the form of freecards</sub></p><p><sub><strong>1992</strong> founds THE INSTITUTE FOR SUEREALISM and in doing so gives a name<br /> to a &#8216;new&#8217; art movement: making art with reality/the art of observation</sub></p><p><sub>organizes and leads THE SUICIDE CLUB in DE UNIE in Rotterdam en DE BALIE in Amsterdam</sub></p><p><sub><strong>1993</strong> produces a series of EDIBLE THEATRE inspired by a story of Apollonaire<br /> in Zaal DE UNIE in Rotterdam in collaboration with Karin Lancel</sub></p><p><sub>Cd-presentation of SAMPLEMIND&#8217;S SUGGESTIONS FOR A EUROPEAN ANTHEM<br /> in collaboration with DON SATIJN, ARTHUR SAUER e.a.in the AMSTERDAMSESCHOUWBURG</sub></p><p><sub>got as far as the halve final of CAMERETTEN (a cabaret/stand up competion)<br /> with TOO FUNNY FOR THIS WORLD in Luxor Theatre in Rotterdam</sub></p><p><sub>establishes UNASKED FOR ADVICE CONSULTANCY and ANTI-CONSENSUS UNION</sub></p><p><sub>was curator of the ROTTERDAM WEEK on the ARK in ANTWERPEN 93<br /> CULTURAL CAPITAL OF EUROPE</sub></p><p><sub>1994 founds the SALON FOR POETRY in the DE REPUBLIEK, FELIX MERITIS in Amsterdam</sub></p><p><sub>creates in collaboration with LISA MARCUS a movement theatre play about GALA &amp; DALI</sub></p><p><sub>starts as singer with YENS &amp; YENS the electronic raptrance formation LUCID TERROR</sub></p><p><sub><strong>1995</strong> exhibits a BRAIN OF CHEWING GUM in Galerie Paradise Regained, Rotterdam</sub></p><p><sub>actor in THE TREES, THE FOREST an peotic play by Anneke Bonnema with NIEUW WEST</sub></p><p><sub>exhibition of OPERATED FLAGS in the form of a series of freecards (48.000)</sub></p><p><sub>takes part in groupexhibition NOBODY&#8217;S BIZNIZ II with Jos Vermeulen en Walter Joris<br /> in TORCH GALLERY, Amsterdam</sub></p><p><sub>opens the DALI exhibition in the BEURS VAN BERLAGE, Amsterdam<br /> with his Dali-impersonation</sub></p><p><sub>BLINDMAN&#8217;S STICK TRAVEL PARIS</sub></p><p><sub>BLINDMAN&#8217;S STICK TRAVEL SPAIN/PORTUGAL</sub></p><p><sub><strong>1996</strong> exhibition of FULL COLOUR MOUVEMENT PAINTINGS<br /> made with Milena Feher in GALERIE 2X2, Delfshaven</sub></p><p><sub>publishes a series of social critical freecards with the title<br /> MC WISECRACK GOES DUTCH with financial support of Centre for Visual arts, Rotterdam</sub></p><p><sub>takes part in the group exhibition FRESH BREEZE in NOVA ZEMBLA, Den Bosch<br /> with 36 different freecards</sub></p><p><sub>makes a solo about the historical BARON VON MUNCHHAUSEN<br /> in collaboration with photographer Wim van Egmond</sub></p><p><sub>directs the youth theatre piece BLAUW by Moniek Merkx with ARTEMIS in Den Bosch</sub></p><p><sub>opens the TRIPLE XXX Festival in Amsterdam with a concert by LUCID TERROR<br /> and exhibits his BRAIN OF CHEWINGGUM</sub></p><p><sub>HENRI VAN ZANTEN BRINGS NEW AMUSEMENT a multi-media week<br /> Rotterdamse Schouwburg and DE NES, Amsterdam<br /> in collaboration with Wink van Kempen and Wim van Egmond (phototheatre), A.Moonen<br /> (improvisation theatre), Milena Feher (dance/performance), Jan Zobel and Dina ed Dik<br /> (a version of the Hamletmachine combing dance and acting)</sub></p><p><sub><strong>1997-99</strong> contributes to art magazine HTV DE IJSBERG (The Tip of the Iceberg)</sub></p><p><sub><strong>1997</strong> creates High-Tech Rap Royal theatre as MC WISECRACK/Support Act Hamlet<br /> in collaboration with Yens&amp;Yens, the dancers Ruth Moreno and Milena Feher and others<br /> (premiere NIGHTTOWN, Rotterdam)</sub></p><p><sub><strong>1998</strong> stages PUBLIEKSBESCHIMPING of PETER HANDKE<br /> as soundtrack with 120 voices and an empty stage<br /> (CD presentation in Rotterdamse Schouwburg)</sub></p><p><sub>plays together with Nico Okkerse (Silent Disco) and Jan Joris Lamers (Discordia)<br /> THE MONKEY PARLEMENT (an adaption of a book by Gerrit Paape 1783)<br /> in PERSCENTRUM NIEUWSPOORT where the Dutch premier also reports</sub></p><p><sub>10th version of the HAMLETMACHINE in the station, on the street and<br /> the PAULUSKERK/Rotterd with youngsters of the FUTURESQUAD</sub></p><p><sub><strong>1999</strong> forms UNITED DEMONS INCORPORATED a CREACTOR of 20 artists<br /> from different disciplines and generations (in Bonheur, Rotterdam)</sub></p><p><sub>directs his first large stageproduction of THE HOTHOUSE by HAROLD PINTER<br /> in the ROTTERDAMSE SCHOUWBURG with Cas Enklaar, Dik Boutkan, Hugo Haenen etc</sub></p><p><sub>dramaturgy,lyrics and vocals with Lucid Terror) for VERGE by EDGE dance theatre</sub></p><p><sub>locationproject BIJ BRAND OF AANRAAD (In case of emergency) in LEKHAVEN, Rotterdam<br /> (a combination of Verkommenes Ufer and Hamletmachine by Heiner MÃ¼ller)</sub></p><p><sub><strong>2000 </strong>publishes MC WISECRACK&#8217;S STICKERFUN</sub></p><p><sub>opens the group exhibition SALVA MEA in the Big Church, The Hague<br /> as in MC WISECRACK in armour, singing gregorian and swinging a flail</sub></p><p><sub>stages THE SEVEN SENSES inspired by Dante&#8217;s THE DIVINE COMEDY<br /> a triptych with FUTURESQUAD in the PAULUSKERK, Rotterdam</sub></p><p><sub>publishes MC Wisecrack&#8217;s BRAINFRAGMENTATION BOMB</sub></p><p><sub>conceives and conducts the worldpremiere of the MONOLOGUES CHOIR<br /> in the large house of the Rotterdamse Schouwburg</sub></p><p><sub>starts a weekly programme KOMKOMMERTV (Cucumber TV) on RotterdamTV<br /> with art, interviews, registrations and satire</sub></p><p><sub>stages FUCK SHAKESPEARE (Hamletmachine) music theatre with FUTURESQUAD<br /> for ZAPNATION, a cultural youth festival in Rotterdam</sub></p><p><sub>openingperformance for groupexhibition I AM A PUNK MAMA<br /> in SHOWROOM MAMA , Rotterdam in which he takes part<br /> with a new series of OPERATED FLAGS (commissioned)</sub></p><p><sub><strong>2001</strong> writes and directs in collaboration with Niko Okkerse the FLASH THEATRE play<br /> AMLETH/the Original/the Gothic/the Best in DE REGENTES, Den Haag</sub></p><p><sub>live performance with Lucid Terror for the choreography DEUCE<br /> by Pieter de Ruiter and Eva Villenueva in DE JULIANAKERK, The Hague</sub></p><p><sub>lyrics &amp; vocals with Lucid Terror for the choreography STOMACH<br /> by EDGE (premiere HOLLAND DANCE FESTIVAL, The Hague)</sub></p><p><sub><strong>2002 </strong>contributes drawings to HARD POP a publication by SHOWROOM MAMA<br /> on streetwise and wild art in Rotterdam</sub></p><p><sub>takes part with an interactive performance RANDOM TAXI<br /> in the manifestation PARKING DEN HAAG organized by STROOM, The Hague</sub></p><p><sub>lyrics &amp; vocals with Lucid Terror for MILKY TEARS by Elaine Kim, Buenos Aires</sub></p><p><sub>lyric &amp; vocals with Lucid Terror for the choreography STOPMOTION by Pieter de Ruiter</sub></p><p><sub>lyrics &amp; vocals with Lucid Terror and dramaturgy for NERVES by EDGE dance theatre</sub></p><p><sub>takes part in the project ARTIST POSTCARDS by RUCHAN SAHINOGLU (Istanbul)</sub></p><p><sub>composes a SELFPORTRAIT IN GROUP FORMATION with the title OH NO NOT AGAIN<br /> in TENT in Rotterdam~ a retrospective of 20 years of artactivities and collaborations<br /> with work of 50 colleagues (including Pasi Grandquist)</sub></p><p><sub><strong>2003</strong> gives a lecture about inspiration at the ROTTERDAM DANCE ACADEMY</sub></p><p><sub>publication of MC WISECRACK&#8217;S STICKERFUN 2</sub></p><p><sub>takes part in the SIRENES FESTIVAL in THE ILLUSEUM, Amsterdam<br /> with vocal performance, poetry and printed matter</sub></p><p><sub>research in his records</sub></p><p><sub><strong>2004</strong> conducts a workshop BALANCE IN WONDERLAND<br /> at the WILLEM DE KOONING ACADEMY, Rotterdam</sub></p><p><sub>research in his records</sub></p><p><sub><strong>2005</strong> takes part in 5 different groupexhibitions inDORDTSALON, Rotterdam</sub></p><p><sub>takes part in PNEUFORIA organized by 75+NAP in The Hague</sub></p><p><sub><strong>2006</strong> participates in MENTAL ZIRKUS in SUPAMOLLY in BERLIJN<br /> as moderator and with performance and printed matter</sub></p><p><sub>artist in residence in WILLEM 3 in Vlissingen with an exhibition<br /> and produces a series of pseudo-touristic freecards OOIT IN VLISSINGEN GEWEEST?<br /> (Ever been in Vlissingen?)</sub></p><p><sub>takes part in the WERKSTATT 2006 van JG Stadmitte JENA<br /> makes his sculpture BUCHERSCHASHLIK and stages the 12th version<br /> of the HAMLETMACHINE with local youth</sub></p><p><sub><strong>2007</strong> takes part in the group exhibition PILLARS IN THE MUD II in LOCUS 010 in Rotterdam<br /> it was curated by Hugo Lammerink BOSZOOM SOLUTIONS<br /> at the opening van Z. sang with his free jazz group THE BLACK-OUT SYNDROME CLUB</sub></p><p><sub>is narrator in U RAGING STANDSTILL by CREW in the NEW TERRITORIES festival in Glasgow</sub></p><p><sub>gives workshops at the WILLEM DE KOONING ACADEMY and HRO in Rotterdam</sub></p><p><sub>runs the DPC (Depression Promotion Centre) in Galerie POOL 120 in Rotterdam<br /> collaboration with the PKV (Passive Art Society) a 2 month project<br /> with exhibitions, concerts, poetry readings etc.</sub></p><p>is the correspondent in the city of rural art-community KANTJE BOORD<br /> and supports ZIEGENMALTE&#8217;s video report as stressdesigner</p><p><sub>is guest teacher at the TU DELFT for concept developement, storyboard analyses, acting<br /> and directing in connection to the minor IMAGINATION for animation technique</sub></p><p>starts Youtube channels as outlets for current and past creative &#8216;utterings and stutterings&#8217;<br /> of himself and alter-ego&#8217;s, including a new one: /Stigmadome, for the extreme experimental<br /> expressions, thus protecting the general public with &#8217;splendid isolation&#8217;</p><p>is active again as singer and rapper in various musical formations and creates Myspaces for them: /theblackoutsyndromecluboeuvre (natural bron free jazz), /hardonlove (pretty evil ballads with Fuck The Writer on guitar), /hoab (=Handsome of a Bitch with Theo Wesselo/RemboT. with thoughtful songs), /popupshits (anonymous forum for scary musical shit!)</p><p>reunion of <a title="official space" href="http://www.myspace.com/godknowstheabsence" target="_blank">GOD KNOWS THE ABSENCE </a>his anti-scene band popular 1986-1991<br /> for the presentation of the ANTISCENE photobook by Carla van der Marel in Arminus Church Rotterdam</p><p><strong>2008ï¿½<span style="font-weight: normal; ">reads from his Dutch poetry in <strong>de RIDDER DICHT</strong> on 9th of march together with Frans Vogel</span></strong></p><p>makes and performance a satirical interactive short play <strong>Who is fooling who?</strong> about alternative psychiatry with Paul de Breet for &#8220;the Week of Psychiatry&#8221;</p><p>is senoir vocal advisor and stressdesigner of the www.ktre.nl (the <strong><a title="everything you always wanted to know about Klingon Opera" href="http://www.ktre.nl" target="_blank">Klingon Terran Research Ensemble</a></strong>)<br /> and was the grandmaster judging the musical battles on the 27th of march in Zeebelt in the Hague</p><p>exhibits <strong>glam-collages</strong> in IEZ cafe Rotterdam along side prints by Denis Oppenheim in the month april<br /> organized by EhbeltoArt</p><p>creates and performes together with <a title="founder and artistic leader of Baila Louca " href="http://www.ritavilhena.com" target="_blank"><strong>Rita Vilhena</strong></a> artistic leader of <strong>Baila Louca</strong> (Crazy Dance)-the performance <strong>Justification</strong> inspired by &#8216;the Death and the Maiden&#8217; theme of Hans Baldung Grien in the former Photography Institute in Rotterdam (on 25th of april )<br /> the black metal band &#8216;..of melancholy burning&#8221; from Rotterdam played live during Justification</p><p>founds with Prof. Sidhy Idiopath the PRC (Punk Research Centre) presenting it in public as<br /> <strong><a title="Punk's not dead" href="http://www.myspace.com/frauduleus" target="_blank">Frauduleus</a></strong> on the 1st of may in Exit Rotterdam</p><p>appointed as <a title="how to become your own stressdesigner" href="http://www.stressdesigner.com" target="_blank"><strong>stressdesigner</strong> </a>and creative coach at the Pameijer in Rotterdam<br /> an organisation for social and psychological support</p><p>takes part in the 48 hour film project as Featherson in <strong>Zeer</strong> by pepperpopcornproductions in Amsterdam</p><p>starts poetry workshop <a title="video's of poetry seances" href="http://www.youtube.com/zegiswat" target="_blank"><strong>Zegiswat</strong> </a>(Saysomething) in collaboration with Pameijer an organisation for reintegration</p><p>exhibits <strong>SoftenonNaziWindmill</strong> in <a title="look up archives Henri van Zanten" href="http://www.aanschouw.nl/" target="_blank">De Aanschouw </a>Rotterdam</p><p>organizes the <strong>Depression Promotion Centre 2</strong> in the former Photomuseum in Rotterdam</p><p>performes <strong>Green Love</strong> with Rita Vilhena during the Wereld van de Witte de With festival in Rotterdam</p><p>takes part in the <strong>48 hour film project</strong> asï¿½loner in Droog krijt (Dry chalk) in Utrecht</p><p>forms with Kaat Nouwen the vocal formation <strong>Tunneltunes</strong></p><p>definitely joins the <strong><a title="leading the ensemble to klingon" href="http://www.youtube.com/ktrecontingentrfje" target="_blank">Rotterdam Free Jazz Ensemble</a></strong></p><p>guestteacher at the Technical University Delft for the minor <strong><a title="Stigmadome's approach to animation" href="http://www.youtube.com/alienatedanimations" target="_blank">Imagination 2</a></strong> for animation</p><p><strong>2009 </strong>joins the band <strong><a title="upgrading the 80's &amp; genetically maniputing joydivision, kraftwerk, gang of 6" href="http://www.myspace.com/yokocola" target="_blank">Yokocola</a></strong> as singer and royal rapper MC Wisecrack</p><p>organizes <strong><a title="photography put in the spotlight as theatrical medium" href="http://hetfototheaterpresenteert.blogspot.com" target="_blank">Phototheatre presents&#8230;</a> </strong>in the former Photomuseum in Rotterdam, a group exhibition with 21 artists</p><p>gives a video workshop in the <strong>Urban Studio 2009 </strong>at HRO Rotterdam</p><p>presents with Floris Schönfeld the <strong><a title="klingon terran research ensemble" href="http://www.ktre.nl" target="_blank">KTRE</a></strong> at the Balie Amsterdam as Master of the Scream</p><p>leads as The Master of the Scream the RFJE in the second Jambattle with robot at <a class="wpgallery" title="Battlejam#2 by KTREContingentRFJE" href="http://www.youtube.com/view_play_list?p=D81EAE396CE382C2" target="_blank">Het Wilde Weten</a> Rotterdam</p><p>Related posts:<ol><li><a href='http://www.henrivanzanten.com/van-zanten-voor-beginners/' rel='bookmark' title='Permanent Link: Van Zanten voor beginners &#8211; CV in Nederlands'>Van Zanten voor beginners &#8211; CV in Nederlands</a></li><li><a href='http://www.henrivanzanten.com/music-will-save-the-world/' rel='bookmark' title='Permanent Link: Music Will Save The World'>Music Will Save The World</a></li><li><a href='http://www.henrivanzanten.com/no-life-without-theatre-no-theatre-without-life/' rel='bookmark' title='Permanent Link: No life without theatre, no theatre without life!'>No life without theatre, no theatre without life!</a></li></ol></p>]]></content:encoded> <wfw:commentRss>http://www.henrivanzanten.com/curriculum-vitae-henri-carel-van-zanten-18031957/feed/</wfw:commentRss> <slash:comments>0</slash:comments> </item> <item><title>About you &amp; me</title><link>http://www.henrivanzanten.com/about/</link> <comments>http://www.henrivanzanten.com/about/#comments</comments> <pubDate>Fri, 18 May 2007 16:30:48 +0000</pubDate> <dc:creator>webmeister</dc:creator> <category><![CDATA[Journal]]></category> <category><![CDATA[Art]]></category> <category><![CDATA[Henri]]></category> <category><![CDATA[Henri van Zanten]]></category> <category><![CDATA[Henrivanzanten]]></category> <category><![CDATA[Komkommer TV]]></category> <category><![CDATA[MC Wisecrack]]></category> <category><![CDATA[omniartist]]></category> <category><![CDATA[Rotterdam]]></category> <category><![CDATA[Sketch]]></category> <category><![CDATA[van Zanten]]></category><guid isPermaLink="false"></guid> <description><![CDATA[
You probably know what a Homo Universalis is and that Leonardo da Vinci was the first great example of this lifestyle. Well, even Bill Gates must have been aware of this fact, when he bought ..Related posts:<ol><li><a href='http://www.henrivanzanten.com/mc-wisecrack-support-act-hamlet-1997-rotterdam/' rel='bookmark' title='Permanent Link: MC Wisecrack: Support Act Hamlet  (1997 &#8211; Rotterdam)'>MC Wisecrack: Support Act Hamlet  (1997 &#8211; Rotterdam)</a></li><li><a href='http://www.henrivanzanten.com/great-expectation/' rel='bookmark' title='Permanent Link: Great expectation'>Great expectation</a></li><li><a href='http://www.henrivanzanten.com/alberta-alberto-are-introduced/' rel='bookmark' title='Permanent Link: Alberta &#038; Alberto are introduced'>Alberta &#038; Alberto are introduced</a></li></ol>]]></description> <content:encoded><![CDATA[<p>You probably know what a <em>Homo Universalis</em> is and that Leonardo da Vinci was the first great example of this lifestyle. Well, even Bill Gates must have been aware of this fact, when he bought Da Vinci&#8217;s sketchbook for a lot of money.</p><p>There is only a small chance you know  what an Omniartist is and that <em>Henri van Zanten</em> is the first great example of his own invention. Of course inspired by Da Vinci. But in the first place by his innate  fearless curiosity and his obsession to express the joy of beauty,  damning the doom of negative forces forever.</p><p>To keep it simple: welcome to the playground on the funny side of life: <em>omniart</em>. And the painkillers will be sweet. Just look at this reaction to the question what came first: the egg or the chicken?</p><p><img src="http://www.henrivanzanten.com/wp-content/uploads/2007/09/egg.jpg" alt="Henry’s breakfast photo" /></p><p>Need assistance? Email me: <a title="Email Henri van Zanten" href="mailto:info@henrivanzanten.com">info@henrivanzanten.com</a></p><p>Related posts:<ol><li><a href='http://www.henrivanzanten.com/mc-wisecrack-support-act-hamlet-1997-rotterdam/' rel='bookmark' title='Permanent Link: MC Wisecrack: Support Act Hamlet  (1997 &#8211; Rotterdam)'>MC Wisecrack: Support Act Hamlet  (1997 &#8211; Rotterdam)</a></li><li><a href='http://www.henrivanzanten.com/great-expectation/' rel='bookmark' title='Permanent Link: Great expectation'>Great expectation</a></li><li><a href='http://www.henrivanzanten.com/alberta-alberto-are-introduced/' rel='bookmark' title='Permanent Link: Alberta &#038; Alberto are introduced'>Alberta &#038; Alberto are introduced</a></li></ol></p>]]></content:encoded> <wfw:commentRss>http://www.henrivanzanten.com/about/feed/</wfw:commentRss> <slash:comments>0</slash:comments> </item> </channel> </rss>